Statue of a Black Child
Flanders (c. 1704)
Stone Carving, 94.7 cm.
[Statue. Full-length, standing figure of a black youth wearing a crown in the form of a castle; a string of beads, feathers, and a medallion around his neck; a drapery around his loins and back; and leather sandals. His right foot rests on the back of a turtle. This may be an allegory of the continent of Africa.]
The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois Institute for African and African American Research, Harvard University. see also: Blakely, Allison. Blacks in the Dutch World: The Evolution of Racial Imagery in a Modern Society. Indiana University Press. pp. 129–130
Zelda Wynn Valdes was the first black female fashion designer to own her own boutique. Her famous, figure hugging silhouette was worn by stars such as Dorothy Dandridge, Josephine Baker, Ella Fitzgerald, Joyce Bryant, Maria Cole, Edna Robinson and later superstars like Gladys Knight and opera diva Jessye Norman. She also designed dresses for legendary figures like Marlene Dietrich and Mae West.
Valdes came up with the costume for the Playboy Bunny which remains the same to this day.
"The naked female body is treated so weirdly in society. It’s like people are constantly begging to see it, but once they do, someone’s a hoe."
Lena Horne (via paarasytes)
"Growth is painful. Change is painful.But nothing is as painful as staying stuck somewhere you don’t belong."
Mandy Hale (via onlinecounsellingcollege)
Something Different: The Manta Underwater Room at Manta Resort, Tanzania
Today, September 8th, is the 60th birthday of Ruby Nell Bridges - a woman who, being the first black child to attend an all-white school in New Orleans in 1960, underwent a traumatizing ordeal that came to signify the deeply troubled state of race relations in America.
On her first day of school at William Frantz Elementary School, during a 1997 NewsHour interview Bridges recalled that she was perplexed by the site that befell, thinking that it was some sort of Mardi Gras celebration:
"Driving up I could see the crowd, but living in New Orleans, I actually thought it was Mardi Gras. There was a large crowd of people outside of the school. They were throwing things and shouting, and that sort of goes on in New Orleans at Mardi Gras.”
Only six-years-old at the time, little Ruby had to deal with a slew of disgusting and violent harassment, beginning with threats of violence that prompted then President Eisenhower to dispatch U.S Marshals as her official escorts, to teachers refusing to teach her and a woman who put a black baby doll in a coffin and demonstrated outside the school in protest of Ruby’s presence there. This particular ordeal had a profound effect on young Ruby who said that it “scared me more than the nasty things people screamed at us.”
Only one teacher, Barbara Henry, would teach Ruby and did so for over a year with Ruby being the only pupil in her class.
The Bridges family suffered greatly for their brave decision. Her father lost his job, they were barred from shopping at their local grocery store, her grandparents, who were sharecroppers, were forcibly removed from their land, not to mention the psychological effect this entire ordeal had on her family. There were, however, members of their community - both black and white - who gathered behind the Bridges family in a show of support, including providing her father with a new job and taking turns to babysit Ruby.
Part of her experience was immortalized in a 1964 Norman Rockwell painting, pictured above, titled The Problem We All Live With. Her entire story was made into a TV movie released in 1998.
Today, still living in New Orleans, Bridges works as an activist, who has spoken at TEDx, and is now chair of the Ruby Bridges Foundation.